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Ken Pincus

Inspired by the Arts and Crafts boom that flowered in the USA in the 1960s and ‘70s, and drawn to the great traditions of East Asia, ceramic artist Ken Pincus studied Arts and Crafts/History and East Asian Studies/Chinese, earning a BA Degree in 1977 from Cowell College, University of California, Santa Cruz. In particular, he found a source of endless inspiration in the ceramics of China, Japan, and Korea and went on to study pottery in the Tajimi region, Gifu Prefecture, Japan, in 1982, serving until 1987 as an apprentice to potter/artist Yoshihiko Yoshida. Yoshida’s philosophy, emphasizing simplicity and vitality in clay work, embodies what Ken aspires to achieve in his own pottery, including the deeper lesson of having a breadth of vision in one’s work, including historical perspective.

In 1988 Ken returned to the US and in 1990 established Pincus Pottery Studio in Aloha, Oregon, eventually relocating to his current studio in the hills of outer northwest Portland. There he built his Skyline Kiln, a single-chamber wood-fire kiln designed to high-fire in about 36 hours. Skyline Kiln is fired two to three times a year; a separate gas kiln, more frequently.

My passion in clay continues to be stoneware, the melding of clays and glaze ingredients enhanced by additions of wood ash under high-temperature reduction atmospheres. I make ware for the dinner table and containers for flowers… My way forward with this work is to focus on each day, to learn from past experiences, to make the best work I can. To this end, I continue to study and to collaborate with others, and can only hope people find meaning and joy in my pottery. Just as people age and may provide lessons for life, so too does pottery that is still with us after many centuries. A centuries’ old bowl from the Momoyama Period in Japan, held in the hand, can tell a potter much about his craft. The old pots inspire me.

I live in the contemporary world with city and forest nearby, with local clay and ash to add to the mix, and strive to make things meaningful for this time and place.



Product Image Item Name- Price
KEN PINCUS: Egg-Form Vase #1

KEN PINCUS: Egg-Form Vase #1

Egg-form vase with openings. Ash Glaze. Wood Fired at Pleasant Hill Pottery. Dimensions: 10" tall x 5" in diameter. Note: Not for food use.
$140.00
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KEN PINCUS: Egg-Form Vase #2

KEN PINCUS: Egg-Form Vase #2

Egg-form vase with openings. Tenmoku and black glazes. Wood-fired at Ken Pincus Studio. Dimensions: 8" tall x 7" in diameter.
$140.00
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KEN PINCUS: Vase #1

KEN PINCUS: Vase #1

Wood fired; ash glaze. Dimensions: 8" x 11". Wood firing gives pottery a unique look that can range from subtle sheens to dramatic flows of natural ash glaze. This pot went through such a firing in my Skyline Kiln, built in 2005. The firing cycle in this kiln is relatively short at about 35 hours, and so the interaction of flame and ash and heat...
$140.00

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KEN PINCUS: Vase #2

KEN PINCUS: Vase #2

Wood fired; shino and ash glaze. Dimensions: 7" x 11". Wood firing gives pottery a unique look that can range from subtle sheens to dramatic flows of natural ash glaze. This pot went through such a firing in my Skyline Kiln, built in 2005. The firing cycle in this kiln is relatively short at about 35 hours, and so the interaction of flame and ash...
$140.00

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KEN PINCUS: 1 - Tokkuri, with comb pattern

KEN PINCUS: 1 - Tokkuri, with comb pattern

Wheel thrown with white slip brushed on after trimming. Before the slip layer dried, I used a comb tool to decorate in a comb pattern. I then applied an ash glaze after bisquing, and gas fired the bottle to stoneware temperature.
$80.00
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KEN PINCUS: 2 - Tokkuri, shino glaze and finger-swipe pattern

KEN PINCUS: 2 - Tokkuri, shino glaze and finger-swipe pattern

Wheel thrown. Gas fired to stoneware temperature. I used a revised shino recipe (based on Sam Hoffman glaze recipe) to glaze this bottle. As I applied a thick layer, the glaze remained moist for a minute or more, giving me plenty of time to do some gestural finger-swipes in the wet surface.
$80.00
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KEN PINCUS: 3 - Tokkuri, shino glaze and line pattern

KEN PINCUS: 3 - Tokkuri, shino glaze and line pattern

Wheel thrown, with white slip brushed on after trimming, and concentric lines casually made in the wet slip by hand. I then applied a thin layer of shino glaze, and wood fired the bottle. A light layer of natural ash glaze can be seen in areas on the bottle.
$95.00
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KEN PINCUS: 4 - Tokkuri, with ash glaze and shell marks

KEN PINCUS: 4 - Tokkuri, with ash glaze and shell marks

Wheel thrown and altered. Wood-fired stoneware. The artist describes his process: I applied a thin layer of ash glaze before placing this bottle on its side in the kiln resting on four seashells. This resulted in four prominent shell marks with a layer of natural ash glaze that formed over a large part of the bottle. Please contact the Gallery for...
$150.00
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